Mixer Kỹ thuật số yamaha LS 9 – 32

Mã: LS9-32 Danh mục:

Mixer Yamaha LS9 – 32 có trọng lượng nhẹ, máy trộn kỹ thuật số nhỏ gọn với các tính năng tiên tiến và chất lượng âm thanh vượt trội.Với 32 đầu vào amps đầu LS9-32 có thể thoải mái xử lý các yêu cầu nguồn phức tạp và đa dạng được trình bày bởi một loạt các ứng dụng âm thanh trực tiếp, bạn luôn yên tâm khi biết rằng bạn có thể mở rộng lên đến 64 kênh bởi chỉ cần thêm tiền khuyếch đại bên ngoài và Mini – YGDAI card giao diện cho những đòi hỏi thêm line-up.

Estimated Delivery 2 to 3 days

Liên hệ

Gọi ngay: 0259.2222 292

Massive Digital Mixing Power

Made for portable live sound, Yamaha Commercial Audio LS9 consoles pack a staggering amount of production power in a surprisingly simple and perfectly portable package. This 64-channel LS9-32, with its extended fader bank and 32 mic/line inputs, weighs under 43 lbs., and its little brother, the 32-channel LS9-16, only weighs about 27 lbs. And when you consider the ample routing options, multimode faders, extensive onboard processing, and remote-control options below its refreshingly intuitive interface, you’ll never look at sound reinforcement the same way again.

Next-gen Yamaha Ergonomics

Straightforward controls meet total settings recall

Over generations of digital mixing consoles, with such standouts as the PM1D, PM5D, and M7CL, Yamaha has had many opportunities to perfect their portable digital mixing console interface. With its streamlined set of master-section controls and logically positioned buttons and encoders, you’ll never have to dig deep or scramble for the right knob when you need to tweak a setting on your LS9 console. No matter what screen you’re on, if you need to get back to the main screen, just hit the Home button — it’s that simple. And with the LS9’s incredible scene memory, you can dial in your base settings once and have them ready to go for every show.

Impressive Bus Capacity

Loaded with the internal and external routing you need

One of the things that active live sound engineers here at Sweetwater really dig about the LS9 is the extensive routing capacity Yamaha loaded it with. This includes 16 mix buses, which you can assign as either your auxiliaries or groups, plus an additional eight matrix buses. This LS9-32 model also sports 16 analog Omni Out connectors, and you can assign any of the stereo, mix, or matrix buses to them, giving you the flexibility you need to send feeds to your recording rig, set up monitor mixes, and much more. And if you need more I/O, you can always add cards such as the MY8-LAKE, Dugan-MY16, or one of Yamaha’s high-speed Ethernet protocol cards.

Ultra-versatile Faders

Multifunction faders streamline send setup and more

Like the channel faders on any mixing console, the primary purpose of the LS9’s faders is to dial in the mix. But these motorized faders offer a whole lot more as well. For instance, you can create custom fader layers that show only the drums or place all of your group masters next to one another. When you’re dialing in monitor mixes, the LS9’s Sends on Faders mode really speeds things up. Cooler still, there’s DSP for up to 16 graphic EQs onboard your LS9, and you can dial them in via these same highly responsive faders.

A Rack Full of DSP

Tap into serious onboard DSP for effects and processing

Graphic EQs are just one of the things you won’t need in your equipment rack when you step up to a Yamaha LS9 digital mixer. Onboard, there’s a comprehensive Virtual Rack totally loaded with EQs and multi-effects processors. In total, you get four multi-effects processors, each loaded with 48 preset effects such as the lush REV-X reverb, various delays, and cool modulations as well. And that’s all in addition to the 4-band parametric equalizer and an array of dynamics processing available on each input and output.

Awesome Remote Control

Remote mixing options provide serious convenience

Yamaha’s LS9 series offers you advanced remote control to make everything from general setup to soundchecking super convenient. For starters, you can connect your LS9 to your computer, giving you a comprehensive real-time display of selected channels and allowing you to manage settings and other functions. Similarly, an iPad application gives you wireless access to your LS9’s mix functions, allowing you to dial in monitor mixes from the stage or tweak the mix from the audience’s perspective.

General specifications

Outline LS9-16 LS9-32
Mixing capability Mixing channels 32 Mono + 4 Stereo 64 Mono + 4 Stereo
GROUP 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses
AUX 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses
MAIN Stereo, Mono Stereo, Mono
Input channel functions HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR)
Output channel functions Attenuator, 4-band PEQ, Dynamics Attenuator, 4-band PEQ, Dynamics
On-board processors 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 50x Output port delay 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 66x Output port delay
I/O Mic inputs 16 (Recallable) 32 (Recallable)
Phantom power +48V DC; ON/OFF per channel +48V DC; ON/OFF per channel
AD converter 24-bit; 128-time over sampling 24-bit; 128-time over sampling
Line outputs 8 Omni output 16 Omni output
DA converter 24-bit; 128-time over sampling 24-bit; 128-time over sampling
Digital I/O 2tr in/out, USB Memory Recorder/Player 2tr in/out, USB Memory Recorder/Player
Expansion slots Mini-YGDAI (16-in/16-out); Possible to remote HA gain via slot 2x Mini-YGDAI (16-in/16-out); Possible to remote HA gain via slots
Control and others Ethernet, MIDI, USB (Storage/Key), Word clock I/O Ethernet, MIDI, USB (Storage/Key), Word clock I/O, Lamp
General specifications LS9-16 LS9-32
Internal processing 32bit, Accumulator: 58bit 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1kHz, 48kHz 44.1kHz, 48kHz
External 44.1 kHz (-10%) to 48 kHz (+6%) 44.1 kHz (-10%) to 48 kHz (+6%)
Signal delay Less than 2.5 ms (@48kHz) Less than 2.5 ms (@48kHz)
Total harmonic distortion Less than 0.05% (20Hz-20kHz) Less than 0.05% (20Hz-20kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-20kHz 0, +0.5, -1.5dB 20Hz-20kHz
Dynamic range DA: 110dB; AD+DA: 108dB DA: 110dB; AD+DA: 108dB
Hum & noise level Equivalent input noise -128dBu -128dBu
Residual output noise -86dBu -86dBu
Crosstalk -80 dB Adjacent Input Channels, Input to Output -80 dB Adjacent Input Channels, Input to Output
Power requirements AC100-240V 50/60Hz AC100-240V 50/60Hz
Power consumption 95W 170W
Dimensions W 480mm; 18-7/8in 884mm; 34-13/16in
H 220mm; 8-11/16in 220mm; 8-11/16in
D 500mm; 19-11/16in 500mm; 19-11/16in
Net weight 12.0kg; 26.5lbs 19.4kg; 42.8lbs
Accessories Owner’s Manual, AC Power Cord Owner’s Manual, AC Power Cord, Dust Cover

Analog input characteristics

Analog input characteristics
Input terminal Actual load impedance For use with nominal Input level Connector
GAIN Sensitivity Nominal Max. before clip
INPUT 1-n* -62dB
3kohms 50-600 ohm Mics & 600ohm Lines -82dBu -62dBu -42dBu XLR3-31 type*
-10dBu +10dBu +30dBu

* LS9-32: n=32, LS9-16: n=16

Analog output characteristics

Analog output characteristics
Output terminal Actual source impedance For use with nominal GAIN SW Output level Connector
Nominal Max. before clip
OMNI OUT 1-n* 75ohms 600ohm Lines +24dB**
XLR-3-32 type
PHONES OUT 15ohms 8ohm Phones 75mW 150mW ST Phone jack
40ohm Phones 65mW 150mW

* LS9-32: n=16, LS9-16: n=8
** Default

Digital output characteristics

Digital output characteristics
Terminal Format Data length Level Connector
2TR IN DIGITAL COAXIAL IEC60958 24bit 0.5Vpp/
RCA pin jack
(Consumer Use)
24bit 0.5Vpp/
RCA pin jack

Control I/O characteristics

Control I/O characteristics
Terminal Format Level Connector
NETWORK (Ethernet) 100Base-T RJ45
WORD CLOCK IN TTL/75ohms, Terminated BNC
OUT TTL/75ohms BNC
LAMP * 0V-12V XLR-4-31 type
USB HOST USB1.1 USB ** A type USB Connector